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This book is dedicated to my enemies, without whose cooperation it would not have been possible.
Preface
In earlier, simpler times, when men lived in small bands close to nature, there existed in each band a very respected and special individual to whom was entrusted the ancient knowledge of the healing and other special properties of the plants which grew in the area. This person was the shaman or medicine man of the tribe, and it is one part of his craft which we will celebrate in this book. This book is a celebration of that ancient and fine art, the art of poisoning.
The advance of medical and chemical technology in recent times has made successful poisoning more difficult than it was in the days of the shaman. The simple and easily available poisons such as rat poison or arsenic can all be easily detected in the body of the victim if a thorough autopsy is done. In the case of inorganic poisons such as arsenic, mercury, cadmium, etc., the tell-tale traces of these substances can be found in the body of the deceased for as long as the remains are around to be analyzed. It makes no difference if the body is embalmed or cremated, for these substances are chemical elements and can’t be destroyed by anything short of nuclear hellfire. For this reason, the successful poisoner must avoid such quick fixes and return to his cultural roots, the knowledge of the shaman, if he is to avoid detection.
It is a sad commentary on the brutish times we live in that the use of deadly substances as a means of homicide is virtually unheard of. Instead of the quiet dignity of an effective poison, those with homicidal intent seem to impulsively reach for at gun, knife or club. All these crude instruments leave no doubt as to the cause of death. As an old associate of mine once said, "What are we, swamp animals or technological warriors?" I am afraid that, in all too many cases, the answer is the former.
This book will attempt to cover, in simple language, the many aspects of successful poisoning. From the crude inorganic (i.e. mineral based) poisons which get so many people a one-way ticket to the Big House, to the much more subtle and difficult to detect organic poisons, we will explore the methods used by artists skilled in the craft to avoid detection. We will also cover the procedures used in forensic toxicology labs to detect the presence of toxic substances in the body of the victim. For those really big jobs, we will cover in detail the production and use of some of the more deadly war gases. These gases were so horrible when they were used in World War I that they have not been used in a major war since then. For those who have whole armies to conquer single-handedly. I’m sure the section on the production and use of nerve gases will interest you. These nerve gases have been called "the poor man’s atom bomb," with good reason They make the World War I war gases look like kids still?. I’m sure you’ll be surprised how easy to make and use these little gems are. Read on and enjoy...
Chapter One
What Makes A Good Poison?
When considering the large number of substances which can exert a deadly effect on the human body, the question naturally comes up, "What makes one substance a good poison, and another one not so good or actually bad?" The answer to that question, of course, depends upon the circumstances in which the poison is to be used. What may be an excellent war gas may not be very suitable to the assassination...


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